Dagger Key and Other Stories

Toward the southern extremity of the Via Poseidone, an ancient stone causeway extended several hundred yards out into the sea, connecting the mainland with a small island, almost invisible against the night sky, picked out by the lights of Baldassaro’s. In addition to a four-star restaurant, the island was home to some nondescript Roman ruins that attracted a few tourists, but no one had lived there for over a century, thus it was ideal for our meeting. The causeway itself, however, was populated by a number of young couples who had come for a twilight stroll and stayed to exploit the anonymity of the dark. Every few yards we passed a shadowy couple locked in an embrace or whispering with their heads together. I had slipped a drug into Giacinta’s wine back at the café, a hypnotic designed to lower inhibitions, and, upon finding an unoccupied stretch of railing, when I suggested we take our ease along it, she raised no objection. Perhaps she would have raised none in any case. If she had, I could have persuaded her with a mental nudge; but I never have liked manipulating them in that way—it tends to damage them and it might have cost me some effort. These Italian girls, whether due to Catholic fear or fleshly anxiety, were capable of reconstituting their virginity at a moment’s notice. And so I trusted the drug to liberate her from such impediments.

We gazed out across the Mediterranean, lying flat beneath a salting of dim stars. I asked Giacinta to talk, telling her I liked the sound of her voice, although I understood little of what she said (a message that required some considerable time to convey, due to its relative complexity). She hesitated, but I urged her on and soon she started in reciting poetry like a schoolgirl regurgitating memorized verses on cue. After three poems she faltered, but then began speaking rapidly in a husky tone of voice. To my amusement, I recognized several vulgar words, words such as “pompino” and “cazzo”, that I had learned from a woman in Bologna. I put my right hand on the join of her waist and hip, and her breath caught; she half-turned so that my hand slid up onto her rib cage, very near the swell of her breast. Her voice thickened and her speech became peppered with crudities, particular emphasis being laid on terms like “…mi fica…” and “…mi culo…” and so forth, references to portions of her anatomy upon which, I assumed, she wished me to lavish attention.

I was delighted to play a game with her, with someone so similar to and yet so vastly different from the women with whom I was accustomed to playing a more involving game. I kissed her, tasting wine and licorice from her tongue. My hand engulfed a breast, squeezing it a trifle hard, perhaps, for I felt her mouth slacken momentarily. I lifted her by the waist, boosted her up to sit upon the stone railing, and pushed her skirt up around her hips. She protested, of course, pushing feebly at my chest and saying, “No, Taylor! Non in questo!” But the distinction between passion and its counterfeit had blurred for us both. I fingered her panties to one side and, finding her ready, entered her. She clung to my shoulders, gasping with each thrust. I forced her to lie back, suspending her over the drop—twenty feet, I reckoned it. All that prevented her from falling was our genital union and my hands supporting her waist. She cried out…not loudly. Modesty was still a concern. She did not want to be caught, yet she needed this validation so desperately, this romantic violence in the service of her self-image, that she was willing to risk her reputation, not to mention her life, and entrust herself to a stranger’s whim.