"Doesn't it strike you as remarkable that you can look at a stream of characters on the screen of your computer--e-mail from someone you've never seen--and later 'recognize' the same person on the phone? How does that work, Randy?"
"I haven't the faintest idea. The brain can do some weird--"
"Some complain that e-mail is impersonal--that your contact with me, during the e-mail phase of our relationship, was mediated by wires and screens and cables. Some would say that's not as good as conversing face-to-face. And yet our seeing of things is always mediated by corneas, retinas, optic nerves, and some neural machinery that takes the information from the optic nerve and propagates it into our minds. So, is looking at words on a screen so very much inferior? I think not; at least then you are conscious of the distortions. Whereas, when you see someone with your eyes, you forget about the distortions and imagine you are experiencing them purely and immediately."
"So what's your explanation of how I recognized you?"
"I would argue that inside your mind was some pattern of neurological activity that was not there before you exchanged e-mail with me. The Root Representation. It is not
"And this has something to do, again, with Athena?"
"If you think of the Greek gods as real supernatural beings who lived on Mount Olympus, no. But if you think of them as being in the same class of entities as the Root Rep, which is to say, patterns of neurological activity that the mind uses to represent things that it sees, or thinks it sees, in the outside world, then yes. Suddenly, Greek gods can be just as interesting and relevant as real people. Why? Because, in the same way as you might one day encounter another person with his own Root Rep so, if you were to have a conversation with an ancient Greek person, and he started talking about Zeus, you might--once you got over your initial feelings of superiority--discover that you had some mental representations inside your own mind that, though you didn't name them Zeus and didn't think of them as a big hairy thunderbolt-hurling son of a Titan, nonetheless had been generated as a result of interactions with entities in the outside world that are the same as the ones that cause the Zeus Representation to appear in the Greek's mind. And here we could talk about the Plato's Cave thing for a while--the Veg-O-Matic of metaphors--it slices! it dices!"
"In which," Randy says, "the actual entities in the real world are the three-dimensional, real things that are casting the shadows, this Greek dude and I are the wretches chained up looking at the shadows of those things on the walls, and it's just that the shape of the wall in front of me is different from the shape of the wall in front of the Grecian--"
"--so that given a shadow projected on
"Yeah. That Plato's Cave metaphor."
At this very moment some wag of a prison guard, out in the corridor, throws a switch and shuts off all of the lights. The only illumination now is from the screensaver on Randy's laptop, which is running animations of colliding galaxies.
"I think we can stipulate that the wall in front of you, Randy, is considerably flatter and smoother, i.e., it generally gives you a much more accurate shadow than his wall, and yet it's clear that he's still capable of seeing the same shadows and probably drawing some useful conclusions about the shapes of the things that cast them."
"Okay. So the Athena that you honor on your medallion isn't a supernatural being--"