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“Goddammit—folks round here oughtta know me for what I am—not for wearing this Yankee uniform.”

“I wanna shet myself of this raggedy old uniform myself.”

“Then we gotta do it in Cassville.”

“They know you there.”

“That’s what I’m counting on. That, and sneaking into see Boatwright without being seen.”

“What you wanna see him for?” Moser asked, his suspicions pricked.

“He’s sheriff, ain’t he?” Hook waited a moment. “He’ll know about who come through here in the last few months—any bunch looking suspicious and up to no good.”

But when they found Boatwright, he was no longer sheriff.

They had slipped into the small town, hugging the treeline until they got to the man’s house, tried the back door, and found it unlocked. Figuring to let themselves in and wait until Boatwright came home, they instead walked into the kitchen and found the old peace officer sitting in a chair, pointing a double-barrel scattergun at the intruders.

“Sounds like there’s two of you bastards,” Boatwright said, his milky eyes blinking in the gloom of midmorning. “That’s why lil’ Ethel here has two barrels: blow the balls off both of you.”

“Eldon? That’s you, ain’t it?” Moser asked.

The man’s face twitched a little, as if placing the voice there in the dark of the hallway separating the two rooms of the small house. “I know you?”

“Artus Moser.”

“Who’s with you?”

“Jonah Hook.”

“Jonah?”

“It’s me, Eldon.”

“C’mere and give this old man a hug.”

“You ain’t gonna shoot us?”

“I hear better’n I ever have these days,” Boatwright said. “Don’t see so good no more.”

“Jesus God!” Moser exclaimed as he moved closer to the old man in the chair. “What happened—”

“Let’s say I got burned.”

“Your eyes, Eldon,” Hook whispered.

“Sit. You boys come and sit,” he said, easing the scattergun off his lap and motioning for them to go into the far room. “No thankee,” he replied to the nudge of help from Hook at his arm. “I know where everything is.”

“Then—you’re blind,” Moser whispered.

“As a cave bat.”

“Fire, you said?” Hook asked.

“Freebooters.”

Both of them rocked forward from the bench where they had plopped.

“Freebooters? How long ago?”

“Not long. A few months. End of summer as I can remember. Hot as hell.”

“Why’d the bastards do this to you?”

Boatwright chuckled. “You don’t see no star on my shirt no more, do you, boys?”

“What’s that got to do—”

“They took it.” Boatwright sank back into his chair. “Don’t matter none. I don’t really need it now after all. Just me in this house, waiting for someone to come bring me something to eat, help me out. Jesus Lord! But you boys both been gone a long time—”

“Tell us about the freebooters and what they done to your eyes,” Hook said impatiently.

Boatwright turned toward the sound of the voice. After some thought he began, his scarred, whitish eyes seeping the moisture that no longer stung his fire-battered flesh.

“They had me tied down, not far north of your place, Artus. I had been down to call on your daddy and was heading out of the valley by way of Jonah’s place. That’s when I spotted a bunch of horsemen on the Hook farm. Sat there awhile, watching them gut your place for what you had, Jonah—and then I figured I’d better get back to town and get me some help. But I never made it into the saddle again. That bunch must’ve had guards on their backtrail, ’cause they came out of the woods on me.”

“How many of them was there altogether?”

“More’n thirty I’d say—by what I could see moving around on your place. I don’t figure I ever saw ’em all.”

“Why’d they tie you down?” Moser asked.

“Hold me down is more like it—’cause when their leader come up from behind where I was staked out, all I heard was his voice. Never saw his face. But he told the others I’d have to die ’cause I could identify ’em. I told him I wouldn’t dare—just let ’em get on out of the territory.”

“And what then?”

“He laughed some at me. Said that if I didn’t want to die—he’d make it so I would beg him to kill me soon enough. But … I didn’t ever beg, boys.”

“He burned your eyes?”

“With a hot poker.”

Something inside Artus curled up in a tight ball and would not loosen.

“We need clothes, Sheriff,” Hook asked.

“Told you, I ain’t sheriff no more.”

“You always will be to us. You stake us a couple sets of clothes?”

“Ain’t got much, but what there is—you’re welcome to it. You going after them?”

“They got my family, Boatwright.”

“Too many of ’em, Jonah.”

“How many guns you got in the house, Sheriff?”

It was as if by some unseen power, Boatwright’s smoky eyes behind the scarred lids and cheeks were staring right into Moser’s tall, skinny cousin for the longest time.

“Back there, behind that sideboard. You’ll find what you boys need. Just leave me the pistol and this here old bird gun. I do fine by them.”

“I’ll pay you back,” Jonah said, pulling the old sideboard away from the wall. “Don’t know how or when—but I’ll pay you back for everything you done to help me get my family back.”

16

Early February-Late April, 1866

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Все книги серии Jonas Hook

Cry of the Hawk
Cry of the Hawk

Forced to serve as a Yankee after his capture at Pea Ridge, Confederate soldier Jonah Hook returns from the war to find his Missouri farm in shambles.From Publishers WeeklySet primarily on the high plains during the 1860s, this novel has the epic sweep of the frontier built into it. Unfortunately, Johnston (the Sons of the Plains trilogy) relies too much on a facile and overfamiliar style. Add to this the overly graphic descriptions of violence, and readers will recognize a genre that seems especially popular these days: the sensational western. The novel opens in the year 1908, with a newspaper reporter Nate Deidecker seeking out Jonah Hook, an aged scout, Indian fighter and buffalo hunter. Deidecker has been writing up firsthand accounts of the Old West and intends to add Hook's to his series. Hook readily agrees, and the narrative moves from its frame to its main canvas. Alas, Hook's story is also conveyed in the third person, thus depriving the reader of the storytelling aspect which, supposedly, Deidecker is privileged to hear. The plot concerns Hook's search for his family--abducted by a marauding band of Mormons--after he serves a tour of duty as a "galvanized" Union soldier (a captured Confederate who joined the Union Army to serve on the frontier). As we follow Hook's bloody adventures, however, the kidnapping becomes almost submerged and is only partially, and all too quickly, resolved in the end. Perhaps Johnston is planning a sequel; certainly the unsatisfying conclusion seems to point in that direction. 

Терри Конрад Джонстон

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