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He remembered Hook taking down the sickle from the porch wall and going to work only yards from the cabin as if he’d done the same every day of his life for a hundred years, slashing back and forth in a neat row across that small meadow where Nate’s picketed buggy horse grazed contentedly. Fresh grass, growing summer cured beneath the high-country sun now late in the season, was what the old scout stuffed into the tick until it could hold no more. Then Hook buttoned it closed and dragged the mattress into the cabin’s front room.

Here beneath the open window where the curtain was nudged into a gentle dance above him, casting teasing shadows over his outstretched body, the night was cooling.

Strange how quickly the night sounds came to him once the lamp was out and all was darkness once more in this world of consuming wilderness. Just outside that door, beyond this window only inches from his elbow—those crickets and locusts and tree frogs and the little toads down by the Big Piney. And from the distance, on that gentle, warm breeze came the first of the distant calls he was not sure at first he had actually heard.

A wolf.

Deidecker was sure that’s what it was. Hook had explained the difference earlier that day. How the coyote yammered and yipped—a smaller cousin to the big, yelloweyed, lanky-legged prowler of the high plains and mountains.

Out there now, that was a wolf.

Only then did he realize Hook was no longer singing to his wife. He too must be listening to that wolf, Nate thought.

Then the quiet, soothing rumble of the old man’s voice drifted back to him once more. Renewed, as he cooed his wife to sleep. Like a man would rock his children.

And something struck him, a thought that his mind hung on the way a man might catch his coat on the head of a nail as he carelessly brushed past an old, weathered wall. In this way his thoughts brushing past in the summer night as he heard a different voice coming from the old man this night, in the black of that back room. A voice unlike the one the old scout had used to tell his story to the newspaperman—soft enough to put Nate Deidecker to sleep as well.

He savored that sound, like water running gently over its high-country streambed. Hook cooing to the silent, far-seeing woman who never spoke, never so much as looked at Deidecker but once all that day and into the long evening of listening to the old scout’s stories. Rocking, forever rocking in her chair set down in the grooves worn into that old porch out front.

This wild, forbidden silence was their most private possession here in the darkness, with another summer night come stealing up the slope of these foothills. The light of a long day had hurriedly climbed over the Rockies.

As surely as Jonah Hook must have hurried west from Fort Laramie, over the Continental Divide, and marched to a rendezvous in that valley of the Great Salt Lake.

That part of the story would come tomorrow, Nate figured.

Enough for the newsman to digest in one day. Listening more than scribbling notes as Hook talked in that easy way of his so flavored by the things seen and heard, the things that had touched a heart gone old among these high and far places.

Nate had done enough of the writing though. But a lot of listening—to get the flavor of the old scout’s speech. Deidecker had to capture it just so, if he was ever going to make something of it.

He had come here for a story. And beneath this window with the wilderness slowly creeping in on him from the darkness realized he had a book. Good Lord—did Nate Deidecker have a book!

He closed his eyes, thinking on the leather binding … the expensive deckle-edged paper … signing copies of this breathtaking biography for the likes of folks back east who would buy out of wonder and amazement and …

… hours later, as the newspaperman came slowly awake, sensing there was a reason he had, Nate listened to the night. Listened to the great, shrinking wilderness that would soon be no more. Then he realized that the moon had risen, journeyed, and was coming down in the western half of the night black sky. Its first gentle, silvery rays slipped through the window only inches over his bed on the cabin floor.

Deidecker turned on his side, away from the window, propping an elbow beneath his cheek, ready to close his eyes again and give himself back to sleep when that moonlight caught something and shined from it, like a gentle ribbon of quicksilver off a mirror.

Pushing the single blanket from his legs, Nate rose, padding barefoot across the roughened plank floor. Never taking his eyes off the object beckoning from the stone mantle above the small fireplace.

He took it down and carried it quietly back to the window, where he turned the dull biass frame in the light to rid it of reflection.

Staring down into the old, faded chromo, recognizing a background of crude Indian tepees … only then focusing on the foreground, where stood a stranger staring back at Deidecker.

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Все книги серии Jonas Hook

Cry of the Hawk
Cry of the Hawk

Forced to serve as a Yankee after his capture at Pea Ridge, Confederate soldier Jonah Hook returns from the war to find his Missouri farm in shambles.From Publishers WeeklySet primarily on the high plains during the 1860s, this novel has the epic sweep of the frontier built into it. Unfortunately, Johnston (the Sons of the Plains trilogy) relies too much on a facile and overfamiliar style. Add to this the overly graphic descriptions of violence, and readers will recognize a genre that seems especially popular these days: the sensational western. The novel opens in the year 1908, with a newspaper reporter Nate Deidecker seeking out Jonah Hook, an aged scout, Indian fighter and buffalo hunter. Deidecker has been writing up firsthand accounts of the Old West and intends to add Hook's to his series. Hook readily agrees, and the narrative moves from its frame to its main canvas. Alas, Hook's story is also conveyed in the third person, thus depriving the reader of the storytelling aspect which, supposedly, Deidecker is privileged to hear. The plot concerns Hook's search for his family--abducted by a marauding band of Mormons--after he serves a tour of duty as a "galvanized" Union soldier (a captured Confederate who joined the Union Army to serve on the frontier). As we follow Hook's bloody adventures, however, the kidnapping becomes almost submerged and is only partially, and all too quickly, resolved in the end. Perhaps Johnston is planning a sequel; certainly the unsatisfying conclusion seems to point in that direction. 

Терри Конрад Джонстон

Вестерн, про индейцев

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Фантастика / Любовные романы / Приключения / Вестерн, про индейцев / Боевая фантастика