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So it was this third afternoon since the arrival of the women at Laramie that Shad had come down to the post with Pipe Woman and Jonah Hook. The men turned off to see the peace-talkers, and Pipe Woman was sent on to the post sutler’s place, to buy Shell Woman’s hard candy before the three of them returned to the Cheyenne camp where Toote was involved with a special supper: elk loin and marrow bones and fry-bread.

“Ain’t you a pretty little thing.”

Pipe Woman turned away from the man as he loomed toward her out of the dingy, smoky haze. The smell of him turned her stomach. And staring at the stinking hole in his face made her all the sicker.

She stood her place at the counter, waiting for the clerk to finish with a soldier.

The foul one came slowly around to her other side, his eyes moving down, then up her body.

“I’ll bet you know how to make a man mighty happy, don’t you, squaw?”

She did not understand all the words he said. There was some English she knew, learned from her father. Yet the meaning of the words spoken by this smelly man got across to her all the same. Pipe Woman refused to look at him.

“Bet that body of yours under that coat is all soft and warm and willing to let a good man show you just how he can make you happy too, little squaw.”

She glanced over at the side of the room where the tables and chairs sat—that part of this place given over to the white men who drank whiskey and became mad from it. They were, by and large, quiet and attentive at this moment. Watching her. Watching him too.

She looked in the other direction. The clerk nervously continued helping the young soldier. He wanted no trouble, and was doing everything he could to ignore her problem.

Then his dirty hand was on her arm, at her elbow. She stared down at the dark crescents beneath the long, cracked fingernails. Pipe Woman turned to face him as her right hand shot up, slapping him full force. The noise of that flesh against flesh weighed heavy in the smelly room where the white man drank himself crazy.

But as quickly her left arm was hurting—at both the elbow and the shoulder.

The man with the stinking breath had twisted and spun her about, pinning her arm behind her, raising it as she bent over, yelping as the stabbing pain took her breath away. His left hand now grabbed her hair at the crown of her head, yanking back slowly. He showed pleasure at the hurt he was causing her.

“Shit, fellas,” he said near her ear, “I’m new in your country here. But it sure looks like these squaws out in these parts like to play with a man just the way the squaws do back down to the Territories.”

“These are Sioux, and Cheyenne Injuns out here, mister,” one of the others said, all but his voice obscured by the murky, smoky haze. She did not know what face spoke. The pain was so great in her shoulder now that she saw stars blink before her eyes.

“What the hell that mean?” asked her tormentor.

“Just figured you’d wanna know these Injuns don’t just lay down for a white man out here the way they maybe done for you down in the Territories.”

“What you trying to say, mister?”

“Nothing,” replied the voice quietly.

“Just so you know,” her attacker said, dragging Pipe Woman away from the counter toward the smoky part of the room, “them squaws back down there don’t always lay down and spread their legs just ’cause a white man wants to rut on ’em.” He smiled wickedly. “You just gotta convince ’em how bad they want what you got to give ’em!”

He took his hand from her hair and reached around to tear open the flaps of her capote, the colorful woven sash falling to the floor at her feet. His long-nailed fingers dug at her firm breasts. With her heels, Pipe Woman tried kicking backward at his shins. He yanked upward on her arm, making her cry out, and dug his fingers into her breast brutally. So hard the first tears came to her eyes. Pipe Woman cursed those tears for betraying her.

“I’m used to taking a squaw where I want her,” the man said.

“Take her outside,” someone suggested. “Least do that.”

“All right,” he hissed at her ear, breathing heavily behind it. “Yeah, that’s the least I can do for you fellas. Since I am new out here. I’ll call you when I’m done—and any the rest of you can have what’s left when I am.”

She could feel him now, that rigid hardness pressing in behind her, near the tops of her buttocks. He was a tall man, and younger than her father.

He lifted her off her feet, starting her backward for the door when a sudden blast of cold air told Pipe Woman that someone else had come in.

“Say you! Hold that door open, mister!” her tormentor called out.

He shuffled her toward the cold draft that said he was drawing her closer to the door.

“Pipe Woman?”

Thinking she recognized the voice, the young woman was only sure when her attacker turned slowly.

“You know this squaw, mister?”

“Yeah,” answered Jonah Hook, taking his eyes off her face and looking into the man’s.

“She any good?” he rasped, then laughed humorlessly.

“Doubt she’s been with a man at all.”

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Все книги серии Jonas Hook

Cry of the Hawk
Cry of the Hawk

Forced to serve as a Yankee after his capture at Pea Ridge, Confederate soldier Jonah Hook returns from the war to find his Missouri farm in shambles.From Publishers WeeklySet primarily on the high plains during the 1860s, this novel has the epic sweep of the frontier built into it. Unfortunately, Johnston (the Sons of the Plains trilogy) relies too much on a facile and overfamiliar style. Add to this the overly graphic descriptions of violence, and readers will recognize a genre that seems especially popular these days: the sensational western. The novel opens in the year 1908, with a newspaper reporter Nate Deidecker seeking out Jonah Hook, an aged scout, Indian fighter and buffalo hunter. Deidecker has been writing up firsthand accounts of the Old West and intends to add Hook's to his series. Hook readily agrees, and the narrative moves from its frame to its main canvas. Alas, Hook's story is also conveyed in the third person, thus depriving the reader of the storytelling aspect which, supposedly, Deidecker is privileged to hear. The plot concerns Hook's search for his family--abducted by a marauding band of Mormons--after he serves a tour of duty as a "galvanized" Union soldier (a captured Confederate who joined the Union Army to serve on the frontier). As we follow Hook's bloody adventures, however, the kidnapping becomes almost submerged and is only partially, and all too quickly, resolved in the end. Perhaps Johnston is planning a sequel; certainly the unsatisfying conclusion seems to point in that direction. 

Терри Конрад Джонстон

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