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He ordered his warriors to stay at a distance, crawling on their bellies along the slopes of the gentle hill to the west of the white men, through the grass on the south and east. The north was open, flat land. Unusable for attack.

From three directions the Brule warriors began walking in their deadly iron-tipped hail, arrow after arrow raining down from a cruel, cloudless sky on the last survivors of that wild chase across the summer-honed prairie.

First one, then another, and a third soldier cried out in pain—a yelp shut off in fear or death. And still more arrows rained down on them while the last of their big brown horses thrashed its way into death. Behind the still carcasses the men hid, only a few firing, and only then when they had a target.

The warriors gave them no targets.

Instead, the arrows arced out of the tall prairie grass far off, sailing into the cruel summer blue and down again in an ugly flight of whispering death that caused another soldier to cry out. And another. And still another.

Until all was quiet.

“Stop!” Pawnee Killer called out, waving both his arms as he came to his knees, signaling the warriors to the east and those on the long slope to the west.

Eventually he stood and took a half dozen steps toward the far ring of silent horses. Another ten steps, his heart pounding, afraid one of them would be alive … alive enough to—

He fired his leveled rifle as the figure stirred.

Then went to his knees to reload. Around him the warriors cried out, swirling madly out of the grass like demons who would no longer listen to his orders.

It was time to have someone pay for what they had lost to the soldiers in the recent moons.

They were over the barricade of still-warm carcasses in a matter of heartbeats—clubbing, slashing, hammering with their rifle butts. Counting coup and stripping weapons. Claiming the white man’s objects.

In a fury of bloodlust for what had been done by the soldiers to their families, stripping their women and children and old ones of their lodges and dried meat and blankets and robes, Pawnee Killer’s warriors hacked arms and legs and hands and feet from the bodies.

Heads were smashed to jelly beside the stinking carcasses of their tired horses.

The manhood parts were slashed from their bodies.

Thighs were opened up like a fresh buffalo kill, from hip to knee.

Bellies riven so that slick purple gut spilled forth.

“This one, you will want to see,” said one of the older warriors. “Come, Pawnee Killer.”

“Yes, I know him,” the chief said. “We will not take his scalp.”

“A Lakota?”

The chief nodded. “Guiding for the pony soldiers.”

“He should have known better, Pawnee Killer.”

“Perhaps he did not know better,” he replied. “These were brave men. They fought well while they could. It is the last thing we can do for him—leaving his body untouched. Scalp him only, but leave the scalp here.”

“You know his name?”

“Yes. It is Red Bead,” Pawnee Killer replied quietly, the wind rustling the summer-dried grass. “As children we played together in our camp along the Buffalo Wallow River.”

31

July 7, 1867

THE MORNING OF the seventh dawned as had so many before it.

By the time the gray was gone from the sky and the bloody corona of the sun made its appearance at the far eastern rim of the earth, the command was called to horse.

Apparently on cue, thirteen soldiers from two troops rose from their fires and, without a word, turned west, never looking back. Six strode off on foot. Seven quickly, self-consciously mounted army horses and rode away. All thirteen aimed for the nearby stream—clearly away from Custer’s line of march for the day.

“You boys better get back here—you get skinned alive!” yelled a sergeant, trying his best to cajole the deserters.

Lieutenant Edward Godfrey stood watching the seven mounted soldiers reach the far streambank, then the six stragglers slogged across the shallow creek on foot and clambered up the far side without so much as a glance back in the direction of the camp. Practically every soldier in camp was on his feet now, most whispering among themselves, watching the lack of action among their officers. An electrifying tension had come over the entire bivouac readying itself for the march.

Down near the streambank where the scouts had pitched their bedrolls, Shad Sweete stood watching the unfolding drama with the rest as the last straggler on foot among the thirteen slogged out of the creek, up the bank, and onto the rolling prairie.

“They taking off for the gold mines, ain’t they?” asked Jonah Hook as he came to a stop beside the old trapper.

Sweete kept looking back and forth between the deserters and the bustling soldier camp, knowing something was soon come to budge. “S’pose so, Jonah Some men can take only so much of this. Some just ain’t cut out to take such a hammering that Custer hisself can take.”

“Officer of the Day!”

“That was Custer hollering, weren’t it?” Comstock asked.

“Sounded to be,” Hickock replied.

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Все книги серии Jonas Hook

Cry of the Hawk
Cry of the Hawk

Forced to serve as a Yankee after his capture at Pea Ridge, Confederate soldier Jonah Hook returns from the war to find his Missouri farm in shambles.From Publishers WeeklySet primarily on the high plains during the 1860s, this novel has the epic sweep of the frontier built into it. Unfortunately, Johnston (the Sons of the Plains trilogy) relies too much on a facile and overfamiliar style. Add to this the overly graphic descriptions of violence, and readers will recognize a genre that seems especially popular these days: the sensational western. The novel opens in the year 1908, with a newspaper reporter Nate Deidecker seeking out Jonah Hook, an aged scout, Indian fighter and buffalo hunter. Deidecker has been writing up firsthand accounts of the Old West and intends to add Hook's to his series. Hook readily agrees, and the narrative moves from its frame to its main canvas. Alas, Hook's story is also conveyed in the third person, thus depriving the reader of the storytelling aspect which, supposedly, Deidecker is privileged to hear. The plot concerns Hook's search for his family--abducted by a marauding band of Mormons--after he serves a tour of duty as a "galvanized" Union soldier (a captured Confederate who joined the Union Army to serve on the frontier). As we follow Hook's bloody adventures, however, the kidnapping becomes almost submerged and is only partially, and all too quickly, resolved in the end. Perhaps Johnston is planning a sequel; certainly the unsatisfying conclusion seems to point in that direction. 

Терри Конрад Джонстон

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