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Beside him, the girl's small, serious face was lit by the headlamps of the cars creeping forwards in the traffic files. The damp, inhaled smoke of burnt resin filled the interior of the car. My head seemed to float on these fumes. Somewhere ahead, beyond these immense lines of nearly stationary vehicles, was the illuminated plateau of the airport, but I felt barely able to do more than point the large car along the centre lane. The blonde woman in the front seat offered me a drink from the wine bottle. When I declined she leaned her head against my shoulder, giving a playful touch to the steering wheel. I put my arm around her shoulder, aware of her hand on my thigh.

I waited until we stopped again, and adjusted the driving mirror so that I could see into the rear seat. Vaughan had moved his thumb into the girl's vagina, forefinger into her rectum, as she sat back with her knees against her shoulders, drawing mechanically at the second of the cigarettes.

His left hand took the girl's breast, bis ring- and forefingers propping up the nipple like a miniature crutch. Holding these elements of the girl's body in his formalized pose, he began to rock his hips back and forth, driving bis penis into the girl's hand. When she tried to move his fingers from her vulva Vaughan knocked her hand away with his elbow, holding the fingers securely in her body. He straightened his legs, rotating himself around the passenger compartment so that his hips rested on the edge of the seat. Braced on his left elbow, he continued to work himself against the girl's hand, as if taking part in a dance of severely stylized postures that celebrated the design and electronics, speed and direction of an advanced kind of automobile.

This marriage of sex and technology reached its climax as the traffic divided at the airport overpass and we began to move forwards in the northbound lane. As the car travelled for the first time at twenty miles an hour Vaughan drew his fingers from the girl's vulva and anus, rotated his hips and inserted his penis in her vagina. Headlamps flared above us as the stream of cars moved up the slope of the overpass. In the rear-view mirror I could still see Vaughan and the girl, their bodies lit by the car behind, reflected in the black trunk of the Lincoln and a hundred points of the interior trim. In the chromium ashtray I saw the girl's left breast and erect nipple. In the vinyl window gutter I saw deformed sections of Vaughan's thighs and her abdomen forming a bizarre anatomical junction. Vaughan lifted the young woman astride him, his penis entering her vagina again. In a triptych of images reflected in the speedometer, the clock and revolution counter, the sexual act between Vaughan and this young woman took place in the hooded grottoes of these luminescent dials, moderated by the surging needle of the speedometer. The jutting carapace of the instrument panel and the stylized sculpture of the steering column shroud reflected a dozen images of her rising and falling buttocks. As I propelled the car at fifty miles an hour along the open deck of the overpass Vaughan arched his back and lifted the young woman into the full glare of the headlamps behind us. Her sharp breasts flashed within the chromium and glass cage of the speeding car. Vaughan's strong pelvic spasms coincided with the thudding passage of the lamp standards anchored in the overpass at hundred-yard intervals. As each one approached his hips kicked into the girl, driving his penis into her vagina, his hands splaying her buttocks to reveal her anus as the yellow light filled the car. We reached the end of the overpass. The red glow of brake-lights burned the night air, touching the images of Vaughan and the young woman with a roseate light.

Controlling the car, I drove down the ramp towards the traffic junction. Vaughan changed the tempo of his pelvic motion, drawing the young woman on top of himself and extending her legs along his own. They lay diagonally across the rear seat, Vaughan taking first her left nipple in his mouth, then the right, his finger in her anus, stroking her rectum to the rhythm of the passing cars, matching his own movements to the play of light sweeping transversely across the roof of the car. I pushed away the blonde girl lying against my shoulder. I realized that I could almost control the sexual act behind me by the way in which I drove the car. Playfully, Vaughan responded to different types of street furniture and roadside trim. As we left London Airport, heading inwards towards the city on the fast access roads, his rhythm became faster, his hands under the girl's buttocks forcing her up and down as if some scanning device in his brain was increasingly agitated by the high office blocks. At the end of the orgasm he was almost standing behind me in the car, legs outstretched, head against the rear seat, hands propping up his own buttocks as he carried the girl on his hips.

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