“‘But I did,’ she said. ‘Roger, I know I did.’ It was true too. I found out it was true when I went up to Paris to see. I remember walking up the stairs and opening the door to the flat, unlocking it and pulling back on the brass handle of the sliding lock and the odor of Eau de Tavel in the kitchen and the dust that had sifted in through the windows on the table in the dining room and going to the cupboard where I kept the stuff in the dining room and it was all gone. I was sure it would be there; that some of the manila folders would be there because I could see them there so clearly in my mind. But there was nothing there at all, not even my paper clips in a cardboard box nor my pencils and erasers nor my pencil sharpener that was shaped like a fish, nor my envelopes with the return address typed in the upper left-hand corner, nor my international postage coupons that you enclosed for them to send the manuscripts back with and that were kept in a small Persian lacquered box that had a pornographic painting inside of it. They were all gone. They had all been packed in the suitcase. Even the red stick of wax was gone that I had used to seal letters and packages. I stood there and looked at the painting inside the Persian box and noticed the curious over-proportion of the parts represented that always characterizes pornography and I remember thinking how much I disliked pornographic pictures and painting and writing and how after this box had been given to me by a friend on his return from Persia I had only looked at the painted interior once to please the friend and that after that I had only used the box as a convenience to keep coupons and stamps in and had never seen the pictures. I felt almost as though I could not breathe when I saw that there really were no folders with originals, nor folders with typed copies, nor folders with carbons and then I locked the door of the cupboard and went into the next room, which was the bedroom, and lay down on the bed and put a pillow between my legs and my arms around another pillow and lay there very quietly. I had never put a pillow between my legs before and I had never lain with my arms around a pillow but now I needed them very badly. I knew everything I had ever written and everything that I had great confidence in was gone. I had rewritten them so many times and gotten them just how I wanted them and I knew I could not write them again because once I had them right I forgot them completely and each time I ever read them I wondered at them and at how I had ever done them.
“So I lay there without moving with the pillows for friends and I was in despair. I had never had despair before, true despair, nor have I ever had it since. My forehead lay against the Persian shawl that covered the bed, which was only a mattress and springs set on the floor and the bed cover was dusty too and I smelt the dust and lay there with my despair and the pillows were my only comfort.”
“What were they that were gone,” the girl asked.
“Eleven stories, a novel, and poems.”
“Poor poor Roger.”
“No. I wasn’t so poor because there were more inside. Not them. But to come. But I was in bad shape. You see I hadn’t believed they could be gone. Not everything.”
“What did you do?”
“Nothing very practical. I lay there for a while.”
“Did you cry?”
“No. I was all dried up inside like the dust in the house. Weren’t you ever in despair?”
“Of course. In London. But I could cry.”
“I’m sorry, daughter. I got to thinking about this thing and I forgot. I’m awfully sorry.”
“What did you do?”