This she put in her carryall. She took the metal drawer back where the clerk followed her into the vault, slid the safe-deposit box into its slot, saw that it was properly locked then headed for MPPD. There was nothing unusual about her going into the station, the chief’s wife was in and out frequently, to have lunch with Max, sometimes to pick up their young ward, Billy, after school was out. This morning she skipped Max’s office, found Jimmie McFarland in the conference room typing a report. She gave him the box, and gave him instructions.
“This,” Jimmie said, his brown eyes amused, “you know this is entrapment, Charlie.”
They looked at each other for a long moment. “It really isn’t entrapment,” Charlie said, “that’s more complicated. And it sure isn’t if you don’t arrest him for stealing. If all you cite him for is break and enter, that’s only a misdemeanor.”
McFarland grinned at her. She said, “All Wilma wants is to know if the book
Jimmie still had that stern, cop look that he tried so hard to maintain. The young officer’s natural expression was friendly and warm, and didn’t always suit his profession. Charlie said, “You’re there to protect Wilma’s house. She reported a break-in, she’s afraid he’ll come back and trash the whole place. You’re there not only as a cop, but as a friend.”
“But the book,” he said doubtfully. “How can a book be worth . . .?”
“It’s old, Jimmie. Nearly two centuries. Handmade, hand printed on leather parchment. The type is all hand set, every picture is an original engraving done by the author.”
Jimmie shrugged; Charlie knew about these things. The art world wasn’t his thing—counterfeit bills, false driver’s licenses, fake IDs, fingerprints, and electronic images he understood. But ancient hand-set type and engravings were something yet to learn about.
Charlie said no more. She was hoping their thief would know so little about that one particular Bewick book that he would think he had found the real thing, had found the one incriminating volume.
She thought, too, that it wasn’t likely he was alone in his search. Her guess was that several people knew about the book,
knew more about the Pamillon history than the stalker might know. Could he have some connection to the Pamillons? Or was that
only coincidence? Charlie just prayed that, in the process of planting the book and finding out what this
16
Jimmie McFarland went through Wilma’s usual evening routine, making sure the lights were on and off at their normal times, the hearth fire burning, the curtains securely drawn. Settling down before the fire to read a batch of reports, he waited for their thief—their possible murder suspect—to make an appearance; and wondering if Wilma’s bait, judiciously hidden, was what the guy was really after. Ordinarily, one rare book alone would not be of such interest to a common thief. An entire library of valuable collector’s books, yes. As he mulled over the thought that the burglar had more complicated motives, the evening darkened and the wind sprang up sending shadows racing across the draperies.
Turning on an old CD of Dean Martin, settling before the fire thinking about making a sandwich, he rose when a car pulled up the drive. Quietly he moved into the shadowed kitchen.
The knock on the back door was light and hasty. A woman’s voice called out, “Wilma?” He smiled at Ryan’s voice, she knew Wilma wasn’t there but didn’t want anyone out in the dark to know it. Hand on his holstered gun he stepped into the laundry.
“It’s Ryan,” she called out. “I brought you a steak. We grilled, and . . .”
He turned on the outside light. Gun cocked in case she was followed, he opened the door, stepping aside nearly behind it.
She was alone. If Wilma
He’d left it off; he felt his face color with embarrassment. She grinned at him. “Have a good evening, my steak’s getting cold,” and she was gone, backing out in her king cab.
He locked the door, turned his phone on, uncovered the warm plate with its thick, rare filet, fries, and a salad. He knew there was an apricot pie in the kitchen. This, Jimmie thought, wasn’t a bad gig, for overtime work.