Butcher Bird

Ever since he could ride, Spyder had always had a motorcycle of some kind. "You never know when you're going to need to get the hell out of Dodge," he told friends. "And you can only run so far in a cab." He told the driver to pull over.

"This ain't even near the piers," said the cabbie.

"I feel like walking." Spyder paid the man and got out. He checked out the landscape as the cab made a U turn and headed back the way they'd come. Spyder had lived in San Francisco for ten years and during a brief breaking-and-entering period in his early twenties, had prided himself on knowing every backstreet, alley and bypass in the city. Right now, however, he didn't know where the hell he was.

Ahead of him, where he was certain the waterfront warehouses should lead to the Fisherman's Wharf tourist traps, were well-trodden sand dunes sloped down to San Francisco Bay. A lot of the city had been built on reclaimed beach. This, he was certain, was what the waterfront probably looked like a couple of hundred years ago. Spyder's reflexes told him that ahead, past the dunes, was where the piers lay. But his eyes told him that there was nothing but shifting beach and black water. Then he saw a flicker-an orange light from the far side of the shifting sands. In that moment of illumination, Spyder could see a line of silhouettes moving along the edge of the dunes, heading over them. Some of the silhouettes carried burdens on their backs. Others were merely misshapen. It was enough. Spyder's started walking.

At the top of the last big dune Spyder looked down onto a maze of market stalls that sprawled down to the water's edge. As he got closer, sounds and smells hit him: the screams of hawkers, a dozen different musics pouring from out-of-tune instruments and cracked speakers, the heavy smell of roasting meat, spices and creosote. There were toys and piles of mismatched shoes, fresh vegetables, dried chameleons and flowers that sighed when you smelled them. There were orreries and telescopes, cracked eyeglasses and black eggs that hatched kittens who (according to their seller) spoke perfect ecclesiastical Latin. Sellers tugged at Spyder's arm and waved squirming things, glittering things and mechanical things at him.

By a stall selling decomposing medical books and sex toys made of black lacquer and amber (some with ominous-looking beetles sealed inside) Spyder bumped shoulders with a tall, handsome man.

"Sorry," said Spyder. "My fault."

"You should watch your step, little brother," said the big man. "Not everyone in the market is as reasonable as I. Some are downright belligerent." The man's voice sounded the way black velvet looked and felt. Spyder wondered if it might be some kind of magic trick. Not that he actually believed in magic, but he was beyond ruling out that much anymore.

Though they were physically the opposite, the tall man reminded Spyder of Shrike. He held himself with the kind of grace that Spyder had seen in the swordswoman. But the man was huge, more than a head taller than Spyder. His face, while classically handsome, was marked with deep scars that, at first, Spyder thought might be ritual, but then decided were some terrible accident. Chainmail covered the man's upper body and he wore pants that seemed to Spyder like modified motorcycle leathers. Metal plates and studs had been affixed along the legs, which were tucked into heavy steel-toed boots. At his side, the man wore a wide-bladed Kan Dao sword like ones Spyder had seen in maybe a thousand kung fu movies.

"Do I know you, little brother?" asked the big man.

"I don't think so," said Spyder. "I'm new here."

"Still, you seem familiar."

"I've got one of those faces."

"Perhaps that's it."

The tall man picked up a particularly elaborate sex toy from the stall and shook it. Six little legs sprang from the bottom and some kind of spring-wound plunger popped from the top and began pumping the air vigorously. The little legs kicked as if looking for something to grab on to. When the tall man laughed at the thing, Spyder noticed that color on his face was unnaturally intense. He realized that the man was wearing makeup, trying to cover his scars. The sudden insight made Spyder feel oddly more at home. Even here, down the rabbit hole or wherever the hell he'd ended up, people still had egos and still worried about how they looked.

"I'm looking for a place called the Coma Gardens. Do you know it?" Spyder asked the man.

"Very well," he replied. "Go down this aisle and turn toward the water at the Sphinx. Be sure not to speak to her. She will never let you go. Keep walking and when you see the Volt Eater, the Coma Gardens lie just beyond. You can't miss it."

"Thanks," said Spyder, desperately wanting to ask what the hell a Sphinx and a Volt Eater were, but thinking the better of it. He knew he'd find out soon enough.