Michael Connelly returns with a new character and a story that reaches new levels of intricacy and suspense-his most gripping work to date.Thanks to a heart transplant, retired Los Angeles -based FBI agent Terrell McCaleb has a new lease on life. Formerly a well-known media fixture as pointman for the bureau in the investigation of serial killers, he leads a quiet life now, spending his time renovating the fishing boat he lives on in the Los Angeles Harbor. His goal is simple-to finish restoring his houseboat and return to his home town on Catalina Island. But McCaleb's calm seas turn choppy when a story in the "What Happened To?" column of the L.A. Times brings him face to face with the sister of the woman whose heart now beats in his chest. From her McCaleb learns a terrible truth: that the donor of his heart was not killed in an accident as he'd been told, but was murdered. Racked with the guilt of having lived because of someone else's murder, McCaleb springs into action. Using his FBI connections and his expertise in crime scene interpretation, he embarks on a private investigation of his donor's murder-a search leading him to a crime far more complex, and far more dangerous than he'd imagined. In BLOOD WORK, Michael Connelly is at the top of his game-delivering his most ambitious thriller yet.RAVES FOR BLOOD WORK AND SUSPENSE MASTER MICHAEL CONNELLY"RECALLS NO ONE SO MUCH AS RAYMOND CHANDLER… CONNELLY PUTS HIS FOOT ON THE GAS AND DOESN'T LET UP." – Los Angeles Times"A richly detailed and totally absorbing thriller… distinguished by its finely etched characters, relentless pacing, and spot-on depictions of the diversity of life in today's L.A… BE PREPARED TO READ THIS ONE STRAIGHT THROUGH. IT'S THAT GOOD." – Chicago Tribune"CONNELLY IS ONE OF THOSE MASTERS OF STRUCTURE WHO CAN KEEP DRIVING THE STORY FORWARD, PARAGRAPH BY PARAGRAPH, IN RUNAWAY-LOCOMOTIVE STYLE." – USA Today"BEAUTIFULLY CONSTRUCTED, POWERFULLY RESONATING…Fans of Connelly's Harry Bosch novels will feel right at home with this thriller, and newcomers will see right away what all the fuss has been about." – Publisher's Weekly (starred review)"A WONDERFULLY TAUT READ." – Washington Post Book World"BLOOD WORK IS FIRST RATE… CONNELLY IS ONE OF THE BEST OF THE NEW BREED OF THRILLER WRITERS. His latest is as good as hisTrunk Music andThe Poet ." – San Francisco Examiner"CONNELLY DOESN'T JUST TALK ABOUT POETS, HE WRITES LIKE ONE." – People"POWERFUL STORYTELLING AND WRITING SKILLS." – Houston Chronicles"CONNELLY'S PLOTTING IS NEAR FLAWLESS." – Fort Lauderdale Sun-Sentinel"CONVINCINGLY CHOREOGRAPHED, and the procedural details of his casework fascinate." – Wall Street journal"Connelly should hit it big and reach the large audience who gleefully submitted themselves to the horrors of Thomas Harris'sRed Dragon andThe Silence of the Lambs ." – Booklist
Триллер18+Michael Connelly
Blood Work
She wasn’t dressed for boating. She had on a loose summer dress that came to mid-thigh. The breeze off the water threatened to lift it and so she kept one hand at her side to keep it down. McCaleb couldn’t see her feet yet but he guessed by the taut lines of the muscles he saw in her brown legs that she wasn’t wearing boat shoes. She had raised heels on. McCaleb’s immediate read was that she was there to make some kind of impression on someone.
McCaleb was dressed to make no impression at all. He had on an old pair of jeans ripped by wear, not for style, and a T-shirt from the Catalina Gold Cup tournament a few summers before. The clothes were spattered with stains-mostly fish blood, some of his own blood, marine, polyurethane and engine oil. They had served him as both fishing and work clothes. His plan was to use the weekend to work on the boat and he was dressed accordingly.
He became more self-conscious about his appearance as he drew closer to the boat and could see the woman better. He pulled the foam pads of his portable off his ears and turned off the CD in the middle of Howlin’ Wolf singing “I Ain’t Superstitious.”
“Can I help you?” he asked before stepping down into his own boat.
His voice seemed to startle her and she turned away from the sliding door that led into the boat’s salon. McCaleb figured she had knocked on the glass and was waiting, expecting him to be inside.
“I’m looking for Terrell McCaleb.”
She was an attractive woman in her early thirties, a good decade or so younger than McCaleb. There was a sense of familiarity about her but he couldn’t quite place it. It was one of those déjà vu things. At the same time he felt the stir of recognition, it quickly flitted away and he knew he was mistaken, that he did not know this woman. He remembered faces. And hers was nice enough not to forget.
She had mispronounced the name, saying Mc-
“McCaleb,” he corrected. “Terry McCaleb.”