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Blood Work

Michael Connelly returns with a new character and a story that reaches new levels of intricacy and suspense-his most gripping work to date.Thanks to a heart transplant, retired Los Angeles -based FBI agent Terrell McCaleb has a new lease on life. Formerly a well-known media fixture as pointman for the bureau in the investigation of serial killers, he leads a quiet life now, spending his time renovating the fishing boat he lives on in the Los Angeles Harbor. His goal is simple-to finish restoring his houseboat and return to his home town on Catalina Island. But McCaleb's calm seas turn choppy when a story in the "What Happened To?" column of the L.A. Times brings him face to face with the sister of the woman whose heart now beats in his chest. From her McCaleb learns a terrible truth: that the donor of his heart was not killed in an accident as he'd been told, but was murdered. Racked with the guilt of having lived because of someone else's murder, McCaleb springs into action. Using his FBI connections and his expertise in crime scene interpretation, he embarks on a private investigation of his donor's murder-a search leading him to a crime far more complex, and far more dangerous than he'd imagined. In BLOOD WORK, Michael Connelly is at the top of his game-delivering his most ambitious thriller yet.RAVES FOR BLOOD WORK AND SUSPENSE MASTER MICHAEL CONNELLY"RECALLS NO ONE SO MUCH AS RAYMOND CHANDLER… CONNELLY PUTS HIS FOOT ON THE GAS AND DOESN'T LET UP." – Los Angeles Times"A richly detailed and totally absorbing thriller… distinguished by its finely etched characters, relentless pacing, and spot-on depictions of the diversity of life in today's L.A… BE PREPARED TO READ THIS ONE STRAIGHT THROUGH. IT'S THAT GOOD." – Chicago Tribune"CONNELLY IS ONE OF THOSE MASTERS OF STRUCTURE WHO CAN KEEP DRIVING THE STORY FORWARD, PARAGRAPH BY PARAGRAPH, IN RUNAWAY-LOCOMOTIVE STYLE." – USA Today"BEAUTIFULLY CONSTRUCTED, POWERFULLY RESONATING…Fans of Connelly's Harry Bosch novels will feel right at home with this thriller, and newcomers will see right away what all the fuss has been about." – Publisher's Weekly (starred review)"A WONDERFULLY TAUT READ." – Washington Post Book World"BLOOD WORK IS FIRST RATE… CONNELLY IS ONE OF THE BEST OF THE NEW BREED OF THRILLER WRITERS. His latest is as good as hisTrunk Music andThe Poet ." – San Francisco Examiner"CONNELLY DOESN'T JUST TALK ABOUT POETS, HE WRITES LIKE ONE." – People"POWERFUL STORYTELLING AND WRITING SKILLS." – Houston Chronicles"CONNELLY'S PLOTTING IS NEAR FLAWLESS." – Fort Lauderdale Sun-Sentinel"CONVINCINGLY CHOREOGRAPHED, and the procedural details of his casework fascinate." – Wall Street journal"Connelly should hit it big and reach the large audience who gleefully submitted themselves to the horrors of Thomas Harris'sRed Dragon andThe Silence of the Lambs ." – Booklist

Michael Connelly

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<p>Michael Connelly</p><empty-line></empty-line><p>Blood Work</p>

HER LAST THOUGHTS were of Raymond. She would see him soon. He would awaken as he always did, his welcome-home embrace warm and sustaining.

She smiled and Mr. Kang, behind the counter, smiled back, thinking her brightness was for him. He smiled at her every night, never knowing that her thoughts and smiles were actually for Raymond, for the moment still to come.

The sound of the bell shaken by the opening door behind her made only a peripheral entry into her thoughts. She had the two dollar bills ready and was handing them across the counter to Mr. Kang. But he didn’t take them. She then noticed that his eyes were no longer on her but focused on the door. His smile was gone and his mouth was opening slightly as if to form a word that wouldn’t quite come.

She felt a hand grip her right shoulder from behind. The coldness of steel pressed against her left temple. A shower of light crashed across her vision. Blinding light. In that moment she saw a glimpse of Raymond’s sweet face, then everything turned dark.

<p><strikethrough>1</strikethrough></p>

McCALEB SAW HER before she saw him. He was coming down the main dock, past the row of millionaires’ boats, when he saw the woman standing in the stern of The Following Sea. It was half past ten on a Saturday morning and the warm whisper of spring had brought a lot of people out to the San Pedro docks. McCaleb was finishing the walk he took every morning-completely around Cabrillo Marina, out along the rock jetty and back. He was huffing by this part of the walk, but he slowed his pace even more as he approached the boat. His first feeling was annoyance-the woman had boarded his boat uninvited. But as he got closer, he put that aside and wondered who she was and what she wanted.

She wasn’t dressed for boating. She had on a loose summer dress that came to mid-thigh. The breeze off the water threatened to lift it and so she kept one hand at her side to keep it down. McCaleb couldn’t see her feet yet but he guessed by the taut lines of the muscles he saw in her brown legs that she wasn’t wearing boat shoes. She had raised heels on. McCaleb’s immediate read was that she was there to make some kind of impression on someone.

McCaleb was dressed to make no impression at all. He had on an old pair of jeans ripped by wear, not for style, and a T-shirt from the Catalina Gold Cup tournament a few summers before. The clothes were spattered with stains-mostly fish blood, some of his own blood, marine, polyurethane and engine oil. They had served him as both fishing and work clothes. His plan was to use the weekend to work on the boat and he was dressed accordingly.

He became more self-conscious about his appearance as he drew closer to the boat and could see the woman better. He pulled the foam pads of his portable off his ears and turned off the CD in the middle of Howlin’ Wolf singing “I Ain’t Superstitious.”

“Can I help you?” he asked before stepping down into his own boat.

His voice seemed to startle her and she turned away from the sliding door that led into the boat’s salon. McCaleb figured she had knocked on the glass and was waiting, expecting him to be inside.

“I’m looking for Terrell McCaleb.”

She was an attractive woman in her early thirties, a good decade or so younger than McCaleb. There was a sense of familiarity about her but he couldn’t quite place it. It was one of those déjà vu things. At the same time he felt the stir of recognition, it quickly flitted away and he knew he was mistaken, that he did not know this woman. He remembered faces. And hers was nice enough not to forget.

She had mispronounced the name, saying Mc- Cal -ub instead of Mc- Kay -Leb, and used the formal first name that no one ever used except the reporters. That’s when he began to understand. He knew now what had brought her to the boat. Another lost soul come to the wrong place.

“McCaleb,” he corrected. “Terry McCaleb.”

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