When she closes her eyes, when they all do, she hears the front door open and close. And in between she thinks she hears his feet upon the lawn. When she opens them, Don is no longer standing in the foyer with the others. She thinks he has left with Gary. Then she hears something move in the kitchen.
“Don?”
He grunts. She knows it is him.
He mutters something before opening and slamming the cellar door.
Another profanity. Aimed at Malorie.
As the others silently scatter, she understands the severity of what they’ve done.
It feels like Gary is everywhere outside.
He’s been banished. Ostracized.
Cast out.
thirty-eight
D
The sounds of someone behind them, distant yet in earshot, continues.
Gary.
Could he have been waiting four years for revenge?
“Mommy,” the Boy whispers.
“What is it?”
She fears what he is about to say.
“The sound, it’s getting closer.”
“
A row isn’t what it used to be. Not like it was when they started today. Then, she had two strong shoulders. A full heart of energy. Four years to propel her.
For all she’s endured, she refuses to believe it’s possible that Gary is behind her. It’d be such a cruel twist. A man out there all these years. Not a creature, but a
The sentence, Gary’s sentence, only six words, has been with her since the night she read it in the cellar. And isn’t it true? When she heard a stick break through the amplifiers she retrieved with Victor, when she heard footsteps on the lawn outside, what did she fear most? An animal? A creature?
Or man?
He could’ve gotten in at any time. Could’ve broken a window. Could’ve attacked her when she got water from the well. Why would he wait? Always following, always lurking, not quite ready to pounce.
“Is it a man, Boy?”
“I can’t tell, Mommy.”
“Is it someone rowing?”
“Yes. But with hands instead of paddles.”
“Are they rushing? Are they waiting? Tell me more. Tell me everything you hear.”
“I don’t think they’re in a boat,” the Boy suddenly says. He sounds proud for having finally been able to make a distinction.
“What do you mean? Are they
“No, Mommy. They’re not swimming. They’re walking.”
Far behind, she hears something she’s never heard. It’s like lightning. A new kind. Or like birds, all of them, in every tree, no longer singing, no longer cooing, but screaming.
It echoes, once, harsh, across the river, and Malorie feels a chill colder than any October air could deliver.
She rows.
thirty-nine
Don is in the cellar. Don is always in the cellar. He sleeps down there now. Does he dig a tunnel where the dirt shows? Does he dig a tunnel deeper, lower, farther into the earth? Farther away from the others? Does he write? Does he write in a notebook like the one Malorie found in Gary’s briefcase?
He’s been gone five weeks. What has it done to Don?
Did he need someone like Gary? Did he need another ear?
Don sinks farther into himself like he sinks farther into the house, and now he is in the cellar.
He is always in the cellar.
forty
It is what Malorie will later consider to be the last night in the house, though she will spend the next four years here. Her belly looks so big in the mirror that it scares her, looks like it could fall right off her body. She speaks to the baby.
“You’re going to come out any day now. There are so many things I want to tell you and so many that I don’t.”
Her black hair is the longest it’s been since she was a little girl. Shannon used to be jealous of it.