"No doubt that's so," Audubon said, but he was only half listening. He looked down at the red-crested eagle, already trying to decide how to pose it for what would, for all sorts of reasons, undoubtedly prove the last volume of
"There, there, my pets, my lovelies," he crooned, and gave each beast a bit of loaf sugar. That calmed them nicely; horses were as susceptible to bribery as people — and much less likely to go back on any bargain they made.
He got to work with the posing board—which, though he'd brought the largest one he had, was almost too small for the purpose —and his wires. Watching him, Harris asked, "How will you pose a honker if we find one?"
"I'll do whatever you want me to. You know that," Harris said. "Would I be out here in the middle of nowhere if I wouldn't?"
"No, certainly not." Again, though, Audubon gave the reply only half his attention. He knew what he wanted to do now. He shaped the red-crested eagle with wings pulled back and up to brake its flight, talons splayed wide, and beak agape as if it were about to descend on a great honker's back.
He found a stick of charcoal and began to sketch. No sooner had the charcoal touched the paper than he knew this would be a good one, even a great one. Sometimes the hand would refuse to realize what the eye saw, what the brain thought, what the heart desired. Audubon always did the best he could, as he'd told Harris. Some days, that best was better than others. Today… today was one of those. He felt almost as if he stood outside himself, watching himself perform, watching
When the drawing was done, he went on holding the charcoal stick, as if he didn't want to let it go. And he didn't. But he had nothing left to add. He'd done what he could do, and…
"That's some of your best work in a long time, John —much better than the woodpecker, and that was mighty good," Harris said. "I didn't want to talk while you were at it, for fear I'd break the spell. But that one, when you paint it, will live forever. It will be less than life-sized on the page, then?"
"Yes. It will have to be," Audubon said. When he spoke, it also felt like breaking the spell. But he made himself nod and respond as a man would in normal circumstances; you couldn't stay on that exalted plane forever. Even touching it now and again seemed a special gift from God. More words came: "This is
"When they see the bird like that, they will." Harris seemed unable to tear his eyes away form the sketch.
And Audubon descended to mundane reality, drawing ginkgoes and pines and ferns for the background of the painting yet to come. The work there was solid, professional draftsmanship; it seemed a million miles away from the inspiration that had fired him only minutes before.
Once he finished all the sketches he needed, he skinned the eagle and dissected it. When he opened the bird's stomach, he found gobbets of half-digested, unusually dark flesh. It had a strong odor that put him in mind of… "Edward!" he said. "What does this smell like to you?"
Harris stooped beside him and sniffed. He needed only a few seconds to find an answer, one very much in character.
"Steak-and-kidney pie, by God!"
And not only was the answer in character. It was also right, as Audubon recognized at once. "It does!" he exclaimed, though the homely dish wasn't one of his favorites. "And these bits of flesh have the look of kidney, too. And that means…"
"What?" Harris asked.
"From everything I've read, honker kidneys and the fat above them
"Unless it killed a deer or some such," Harris said. In that moment, Audubon almost hated his friend —not because Harris was wrong, but because he might not be. And dropping a brute fact on Audubon's glittering tower of speculation seemed one of the crudest things any man could do.