Assassin's Quest

Size made it a palace. There were no other outward signs, no flags, no royal guards flanking the doors. No one sought to bar our entrance. The Fool opened the carved wood-framed doors of a side entrance, and we went in. I followed him as he threaded his way through a maze of freestanding chambers. Other rooms were on platforms above us, reached by ladders or, for the grander ones, staircases of wood. The walls of the chambers were flimsy things, with some temporary rooms of no more than barkcloth tapestries stretched on frameworks. The inside of the palace was but only slightly warmer than the forest outside. The individual chambers were heated by freestanding braziers in the winter.

I followed the Fool to a chamber whose outer walls were decorated with delicate illustrations of waterbirds. This was a more permanent room, with sliding wooden doors likewise carved with birds. I could hear the notes of Starling's harp from within and the murmur of low voices. He tapped at the door, waited briefly, and then slid it open to admit us. Kettricken was within, and the Fool's friend Jofron and several other people I did not recognize. Starling sat on a low bench to one side, playing softly while Kettricken and the others embroidered a quilt on a frame that almost filled the room. A bright garden of flowers was being created on the quilt top. Chade sat not far from Starling. He was dressed in a white shirt and dark leggings with a long wool vest, gaily embroidered, over the shirt. His hair was pulled back in a gray warrior's tail, with the leather band on his brow bearing the buck sigil. He looked decades younger than he had at Buckkeep. They spoke together more softly than the music.

Kettricken looked up, needle in hand, and greeted us calmly. She introduced me to the others as Tom, and politely asked if I were recovering well from my injury. I told her I was, and she bade me be seated and rest myself a bit. The Fool circled the quilt, complimented Jofron on her stitchery, and when she invited him, he took a place beside her. He took up a needle and floss, threaded it, and began adding butterflies of his own invention to one corner of the quilt while he and Jofron talked softly of gardens they had known. He seemed very at ease. I felt at a loss, sitting idly in a room full of quietly occupied people. I waited for Kettricken to speak to me, but she went on with her work. Starling's eyes met mine and she smiled but stiffly. Chade avoided my glance, looking past me as if we were strangers.

There was conversation in the room, but it was soft and intermittent, mostly requests for a skein of thread to be passed, or comments on each other's work. Starling played the old familiar Buck ballads, but wordlessly. No one spoke to me or paid me any mind. I waited.

After a time, I began to wonder if it was a subtle form of punishment. I tried to remain relaxed, but tension repeatedly built up in me. Every few minutes I would remember to unclench my jaws and loosen my shoulders. It took some time for me to see a similar anxiety in Kettricken. I had spent many hours attending my lady in Buckkeep when she had first come to court. I had seen her lethargic at her needlework, or lively in her garden, but now she sewed furiously, as if the fate of the Six Duchies depended on her completing this quilt. She was thinner than I recalled, the bones and planes of her face showing more plainly. Her hair, a year after she had cut it to mourn Verity, was still too short for her to confine it well. The pale strands of it constantly crept forward. There were lines in her face, around her eyes and mouth, and she frequently chewed on her lips, a thing I had never seen her do before.

The morning seemed to drag on, but finally one of the young men sat up straight, then stretched and declared his eyes were getting too weary for him to do any more today. He asked the woman at his side if she had a mind to hunt with him today, and she readily agreed. As if this were some sort of signal, the others began to rise and stretch and make their farewells to Kettricken. I was struck at their familiarity with her, until I recalled that here she was not regarded as Queen, but as eventual Sacrifice to the Mountains. Her role among her own folk would never be seen as that of ruler, but as guide and coordinator. Her father King Eyod was known amongst his own folk as the Sacrifice, and was expected to be ever and always unselfishly available to his folk to help in any way they might require. It was a position that was both less regal than that of Buck royalty, and more beloved. I wondered idly if it might not have suited Verity more to have come here and been Kettricken's consort.

"FitzChivalry."