Suddenly, he is attracted to the shag carpet, to its provocative, fiery red. He tells her of a secret source of pleasure, at the root of his tree. If she presses down there…. It is the remnant of the female, which, when gender was determined in his mother’s womb, decided to become male. That is where the roots of his pleasure lie. She presses down on it. And then he, sweetly, upon this red shag carpet, explodes like an overripe pomegranate.
He leads her along paths, not at all certain at first, to the source of her ancient joy, where as a little girl, an adolescent, she tasted that joy alone, in her lonely room, in her lonely bed. And as he leads her, as they trace together the paths, the musical roads of pleasure, she attaches herself to him, she becomes a barnacle on him, a limpet on his rock. Any attempt to unhook her has the opposite result: she hangs on even tighter. The limpet begins to spread and gradually covers the entire rock. By then, the rock has taken on the limpet’s shape, like a Chinese hat.
“Weaning is impossible. We have reached the point beyond which there can be no separation,” he writes.
— 3-
He leads her, he takes her into depths that even she doesn’t know, into unexplored regions, but she likes sinking with him, tied to him, their bodies tightly bound, with their exchangeable temperatures, where the current circulates, comes around again, where the force leaves her to gather in him and pass back into her, two bodies like suction cups, one upon the other, four absorbent hands, his on her chest and the nape of her neck, there where all the pathways of the nerves converge to pass through, and he with his hand, controlling the tollgate of the nerves, as if he dominated them; and she is quiet and dominated, because her head has the pedestal of his hand to lean on, her beautiful head, as he says and she knows it, while with her hands she massages his back, feeling the bones, his silken skin; bound this way, one on top of the other, he carries her with him to the tunnel, so he can bring her out into the light on the other side, so they can keep going, passing through another tunnel, another light, until a field appears before her, the field of daisies from her childhood years, where she becomes a child again, during the time she snuck out of the shack without her mother knowing, ran through the daisies to meet her lover and lie down with him on the sweet-smelling soil among the daisies that would break their fingers on her, just as she is now breaking hers on his back, until little by little her hands abandon him, becoming wings, or at any rate trying to become wings, because she wants to fly now, or rather she is flying, carrying under her back, stuck to her, the red shag carpet; he sees her hand quivering like a wing and he lets his hand take hers, their fingers intertwined, without rings that hurt; they are now in ecstasy, they move, they fly together, and instead of soaring, he takes her lower and lower, to a premythical, forgotten time, where, as a little girl, she would see around her an alien, treacherous world, lying in wait for her, tempted by her beauty, but now she does not fear it because he’s there, and in this inverted position, her eyes, their eyes, fixed on one another, communicating almost desperately, their panting, and time is folded over, like a crust, a pastry crust that envelops her, like the cream puffs her grandmother used to make and bake in the oven just as she now, as if burning up with a fever, is baked with him in ovens, crematoriums, from which he escaped but to which she offers herself in a holocaust, and she gives herself to him and he gives himself to her entirely; she is in a deep, hidden corner, from where as a little girl she now sees herself becoming an adult, for what she was always waiting for, love without terms, without limitations, without borders, without stopwatches or dos and don’ts, the kind of love that nourishes you and makes you beautiful in your own eyes, giving him everything that is she, freely, selflessly, generously, while he whispers sweet words in her ear: “I love you, I’ll always love you, I want you,” sees her opening the bolt to where she keeps her treasures: “Take them,” she says, “take them all,” and relieved that she has given him everything without asking for anything in return, she reaches, finally, her fulfillment.