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“Unless they rip off the tape recorder when they rip off the couch and everything else,” Arctor said. He was thinking rapidly as to how much of a problem this really was, this additional example of Barris’s messed-up electronic nowhere genius of a kindergarten sort. Hell, he concluded, they’ll find the mikes in the first ten minutes and trace them back to the recorder. They’ll know exactly what to do. They’ll erase the tape, rewind it, leave it as it was, leave the door unlocked and the note on it. In fact, maybe the unlocked door will make their job easier. Fucking Barris, he thought. Great genius plans which will work out so as to screw up the universe. He probably forgot to plug the recorder into the wall outlet anyhow. Of course, if he finds it unplugged—

He’ll reason that proves someone was there, he realized. He’ll flash on that and rap at us for days. Somebody got in who was hip to his device and cleverly unplugged it. So, he decided, if they find it unplugged I hope they think to plug it in, and not only that, make it run right. In fact, what they really should do is test out his whole detection system, run it through its cycle as thoroughly as they do their own, be absolutely certain it functions perfectly, and then wind it back to a blank state, a tablet on which nothing is inscribed but on which something would for sure be had anyone—themselves, for example—entered the house. Otherwise, Barris’s suspicions will be aroused forever.

As he drove, he continued his theoretical analysis of his situation by means of a second well-established example. They had brought it up and drilled it into his own memory banks during his police training at the academy. Or else he had read it in the newspapers.

Item. One of the most effective forms of industrial or military sabotage limits itself to damage that can never be thoroughly proven—or even proven at all—to be anything deliberate. It is like an invisible political movement; perhaps it isn’t there at all. If a bomb is wired to a car’s ignition, then obviously there is an enemy; if a public building on a political headquarters is blown up, then there is a political enemy. But if an accident, or a series of accidents, occurs, if equipment merely fails to function, if it appears faulty, especially in a slow fashion, over a period of natural time, with numerous small failures and misfirings—then the victim, whether a person or a party or a country, can never marshal itself to defend itself.

In fact, Arctor speculated as he drove along the freeway very slowly, the person begins to assume he’s paranoid and has no enemy; he doubts himself. His car broke down normally; his luck has just become bad. And his friends agree. It’s in his head. And this wipes him out more thoroughly than anything that can be traced. However, it takes longer. The person on persons doing him in must tinker and putter and make use of chance over a long interval. Meanwhile, if the victim can figure out who they are, he has a better chance of getting them—certainly better than if, say, they shoot him with a scope-sight rifle. That is his advantage.

Every nation in the world, he knew, trains and sends out a mass of agents to loosen bolts here, strip threads there, break wines and start little fines, lose documents—little misadventures. A wad of gum inside a Xerox copying machine in a government office can destroy an irreplaceable—and vital—document: instead of a copy coming out, the original is wiped out. Too much soap and toilet paper, as the Yippies of the sixties knew, can screw up the entire sewage of an office building and force all the employees out for a week. A mothball in a car’s gas tank wears out the engine two weeks later, when it’s in another town, and leaves no fuel contaminants to be analyzed. Any radio or TV station can be put off the air by a pile driven accidentally cutting a microwave cable or a power cable. And so forth.

Many of the previous aristocratic social class knew about maids and gardeners and other serf-type help: a broken vase here, a dropped priceless heirloom that slips out of a sullen hand.

“Why’d you do that, Rastus Brown?”

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