Читаем A Pale View of Hills полностью

My husband and I lived in an area to the east of the city, a short tram journey from the centre of town. A river ran near us, and I was once told that before the war a small village had grown up on the riverbank. But then the bomb had fallen and afterwards all that remained were charred ruins. Rebuilding had got under way and in time four concrete buildings had been erected, each containing forty or so separate apartments. Of the four, our block had been built last and it marked the point where the rebuilding programme had come to a halt; between us and the river lay an expanse of wasteground, several acres of dried mud and ditches. Many complained it was a health hazard, and indeed the drainage was appalling. All year round there were craters filled with stagnant water, and in the summer months the mosquitoes became intolerable. From time to time officials were to be seen pacing out measurements or scribbling down notes, but the months went by and nothing was done.

The occupants of the apartment blocks were much like ourselves — young married couples, the husbands having found good employment with expanding firms. Many of the apartments were owned by the firms, who rented them to employees at a generous rate. Each apartment was identical; the floors were tatami, the bathrooms and kitchens of a Western design. They were small and rather difficult to keep cool during the warmer months, but on the whole the feeling amongst the occupants seemed one of satisfaction. And yet I remember an unmistakable air of transience there, as if we were all of us waiting for the day we could move to something better.

One wooden cottage had survived both the devastation of the war and the government bulldozers. I could see it from our window, standing alone at the end of that expanse of wasteground, practically on the edge of the river. It was the kind of cottage often seen in the 6iiiff is, e,with a tiled roof sloping almost to the ground. Often, during my empty moments, I would stand at my window gazing at it.

To judge from the attention attracted by Sachiko’s arrival, I was not alone in gazing at that cottage. There was much talk about two men seen working there one day — as to whether or not they were government workers. Later there was talk that a woman and her little girl were living there, and I saw them myself on several occasions, making their way across the ditchy ground.

It was towards the beginning of summer — I was in my third or fourth month of pregnancy by then — when I first watched that large American car, white and battered, bumping its way over the wasteground towards the river. It was well into the evening, and the sun setting behind the cottage gleamed a moment against the metal.

Then one afternoon I heard two women talking at the tram stop, about the woman who had moved into the derelict house by the river. One was explaining to her companion how she had spoken to the woman that morning and had received a dear snub. Her companion agreed the newcomer seemed unfriendly — proud probably. She must be thirty at the youngest, they thought, for the child was at least ten. The first woman said the stranger had spoken with a Tokyo dialect and certainly was not from Nagasaki. They discussed for a while her ‘American friend”, then the woman spoke again of how unfriendly the stranger had been to her that morning.

Now I do not doubt that amongst those women I lived with then, there were those who had suffered, those with sad and terrible memories. But to watch them each day, busily involved with their husbands and their children, I found this hard to believe — that their lives had ever held the tragedies and nightmares of wartime. It was never my intention to appear unfriendly, but it was probably true that i made no special effort to seem otherwise, for at that point in my life, I was still wishing to be left alone.

It was with interest then that I listened to those women talking of Sachiko. I can recall quite vividly that afternoon at the tram stop. It was one of the first days of bright sunlight after the rainy season in June, and the soaked surfaces of brick and concrete were drying all around us. We were standing on a railway bridge and on one side of the tracks at the foot of the hill could be seen a cluster of roofs, as if houses had come tumbling down the slope.

Beyond the houses, a little way off, were our apartment blocks standing like four concrete pillars. I felt a kind of sympathy for Sachiko then, and felt I understood something of that aloof i had noticed about her when I had watched her from afar.

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