Читаем A Nest of Nightmares полностью

‘Of course you could.’ She looked back down at her magazine, smiling to herself. She was curled up in one of the two matching armchairs I had arranged on either side of the wood-burning stove. The ruby chips on her finger glittered as she turned a page.

‘Do you know, I’ve never actually been into the attic?’ I was certain, as I asked, that she knew.

‘Well, you’re not missing much,’ she said calmly. She continued to read, and I paced the room, which I’d made comfortable and appealing with carefully selected furniture, dark brown curtains, and a beige carpet. I wondered if she knew that I was afraid of the attic – that dirty, dark place where something might lurk. She seemed so cool . . . But then maybe I was imagining things. Maybe she had nothing to hide. I should go up to the attic and see for myself, settle my mind and end these fantasies. But at the thought of climbing up there, poking my head up into the unknown darkness, my knees went weak and there was a tightness in my chest. No. There was no need to go up. If anything ever came into the attic, Sylvia would surely tell me, and ask for my help, just as she had at our mother’s grave, and a hundred times before.

The grey winter days dragged slowly by. It seemed always to be raining, or to be about to rain. I drew up lists of the improvements we would make in our house, the things we needed to buy, the vegetables and flowers we would grow in our garden.

Sylvia’s disappearances became more frequent. Sometimes she claimed to have been out for a walk – yes, even in the rain – and sometimes that she had been in the house all along. I had to be careful. She was suspicious of my questions, and I didn’t want to provoke her. Let her tell me all, in her own good time. I never mentioned the attic, or the sounds I heard at night. I pretended that I noticed nothing, and I waited.

And then one night I woke and knew that something was wrong. It was late: the moon was down and there was no light. The darkness lay on me like a weight. I got up, shivering, and wrapped myself in my dressing gown. As I stepped out of my room I could see that Sylvia’s door was shut and no light came from beneath it.

She’s asleep, I thought. Don’t disturb her.

But even as I cautioned myself I was shuffling forward, and my outstretched hand had grasped the doorknob. When the door was open I could see nothing in the blackness, and there was no sound. I reached for the light switch. Squinting in the harsh light, I saw that Sylvia’s bed was empty.

I leaned against the door frame, blinking miserably at the undisturbed bed. She hadn’t even slept in it.

Then I heard the noise.

There was someone in the attic. The sounds were soft but unmistakable, the sounds of movement. Floorboards creaked gently, rhythmically beneath a moving weight, and there was a jumble of softer sounds as well. I held my breath and listened, struggling to make sense of what I heard, trying to separate the sounds and identify them. I closed my eyes and held tightly to the door frame. Above me, the soft sounds paused, continued, paused, continued. Was it: cloth against flesh, flesh against flesh, a struggle, an embrace, a sob, a breath, a voice?

I snapped off the light and the loud click made me shudder. They might hear. I scuttled out of the room, back through darkness to my bed, terrified the whole way that I would hear the wooden slide of the trapdoor and the sound of something coming after me.

The door to my room, like the doors to all the other rooms, had a keyhole but no key. I pushed my bedside table against the door, knowing it was no protection, and huddled on my bed, shaking. I wiped the tears off my face and listened. I could hear nothing now, but I did not know if that was because of the location of my room, or because there was nothing more to hear. I took the edge of the sheet into my mouth to keep from making a sound and tried not to think. I waited for morning.

But it was some time before morning when I heard the motorbike on the road below the house. Listening to the approach, the pause, and then the sound of it roaring away again, it struck me that I had heard that same sequence of sounds outside the house more than once before. As I puzzled miserably over that, I heard the front door open.

Fear and sorrow drained away, leaving me empty, as cold as ice. I heard Sylvia climbing the stairs. I knew that laboured, guilty tread well, having heard it many nights when she was in high school, sneaking home late from her dates.

I met her on the landing.

‘Pam!’ Her face whitened, and she moved a little backwards, hand clutching the stair rail as if she would retreat downstairs.

‘We’ll have to get that roof fixed,’ I said calmly. ‘No more excuses. It can’t wait. I don’t care what it costs, if we have to get someone to come all the way from London, whatever it takes, we can’t go another day with that hole in the roof.’

‘What?’

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Лихим 90-м посвящается...Фантастический роман-эпопея в пяти томах «Звёздная месть» (1990—1995), написанный в жанре «патриотической фантастики» — грандиозное эпическое полотно (полный текст 2500 страниц, общий тираж — свыше 10 миллионов экземпляров). События разворачиваются в ХХV-ХХХ веках будущего. Вместе с апогеем развития цивилизации наступает апогей её вырождения. Могущество Земной Цивилизации неизмеримо. Степень её духовной деградации ещё выше. Сверхкрутой сюжет, нетрадиционные повороты событий, десятки измерений, сотни пространств, три Вселенные, всепланетные и всепространственные войны. Герой романа, космодесантник, прошедший через все круги ада, после мучительных размышлений приходит к выводу – для спасения цивилизации необходимо свержение правящего на Земле режима. Он свергает его, захватывает власть во всей Звездной Федерации. А когда приходит победа в нашу Вселенную вторгаются полчища из иных миров (правители Земной Федерации готовили их вторжение). По необычности сюжета (фактически запретного для других авторов), накалу страстей, фантазии, философичности и психологизму "Звёздная Месть" не имеет ничего равного в отечественной и мировой литературе. Роман-эпопея состоит из пяти самостоятельных романов: "Ангел Возмездия", "Бунт Вурдалаков" ("вурдалаки" – биохимеры, которыми земляне населили "закрытые" миры), "Погружение во Мрак", "Вторжение из Ада" ("ад" – Иная Вселенная), "Меч Вседержителя". Также представлены популярные в среде читателей романы «Бойня» и «Сатанинское зелье».

Юрий Дмитриевич Петухов

Фантастика / Боевая фантастика / Научная Фантастика / Ужасы / Ужасы и мистика