A Mystery Of Errors

As they went into the crowded yard, they separated and Sir William made his way around to the far side, heading toward the stairs leading to the upper galleries. Smythe made his way along the railing of the lower gallery toward the stage, which projected out into the yard.

The groundlings, those members of the audience who had paid the cheapest rate of admission and stood in the dirt yard to watch the play, had packed the yard so completely that there was scarcely any room to move. Under any other circumstances, Smythe would have been pleased to see that, for it meant more money for the ostlers, more revenue for the company, more profit for the Theatre, and a boost in Shakespeare’s reputation for having so improved the play that the size of the audience had nearly tripled. The groundlings stood shoulder-to-shoulder in the yard and as Smythe looked up, it seemed to him that every seat in the upper galleries was filled, as well. Good news for the company, bad news for anyone trying to pick out four men amongst this crowd… four men who could easily have split up by now.

It occurred to Smythe as he tried to make his way through the crowd that none of this was as he had imagined it would be. Back home, somehow, he had always pictured the London stage as being so much more elegant, so much more… refined. Actually, quite the opposite was true. All around him, coarse and common-looking people were shifting their weight from foot to foot, changing position to avoid discomfort or else in an attempt to get a better view. They talked amongst themselves and laughed and belched and farted boistrously and called out to others they recognized among the crowd, even while the play was already in progress. A steady drizzle had started to come down into the open yard, which so strongly resembled the courtyards of the country’s inns, upon which the design of the Theatre had been modeled, with only the galleries upon the upper stories covered over with wood and thatch roofing. The light rain was soaking into the thick thatch and making the rushes strewn over the hard packed dirt of the yard slippery underfoot, the wet smell of the straw mingling with the steamy smell of bodies in damp woollen cloaks and the acrid odor of urine from theatregoers relieving themselves into the scattered straw. The briney smell of the Thames blown in upon the breeze hung over everything, occasionally bringing with it on the air the shouts of the rivermen in their boats not too far distant. Together with the creaking of the floorboards on the stage and on the walkways of the galleries, it all had a strangely nautical feel, as if the entire edifice were some sort of crudely constructed ship, its timbers sagging wetly as it floated at its moorings.

Smythe looked for Sir William and spotted him after a few moments, heading up the back stairs to the uppermost gallery, where he would have a commanding view of the stage and the entire courtyard. Smythe quickly swept the galleries with his gaze, but saw no sign of the mysterious man in the black cloak.

He continued to make his way up toward the stage, shouldering through the crowd and getting some shoves and surly remarks back as he went. It was maddening. They simply would not get out of his way and a couple of times, he almost got into fights as he pushed and bulled his way through. Then, with a sudden burst of inspiration, he started coughing, bringing a handkerchief up to his mouth, as if he were spewing every time he coughed. Ever mindful of the Plague, people suddenly shrank back from him, turning their faces away with expressions of alarm, and he made much quicker progress. Soon, he had reached the front of the stage, which projected out into the courtyard like a wooden pier into a river of churning flesh.

The crowd was packed so thickly, people were even sitting on the edge of the stage, watching the performance, so close to the actors that they could reach out and touch them. Smythe tried to determine at what point in the play they were. The production ran about two hours long, with the acts divided into roughly equal parts. Two acts in the beginning, two acts at the end, with a break in the middle. They were at least halfway through the first act, perhaps a little more. He wasn’t sure. He had enough trouble remembering his one line, much less everybody else’s. All he knew was that his line had come a short way into the second act, right after Kemp announced, “I would give a king’s ransom for a horse!”