A Mystery Of Errors

“Aye, he allowed himself to get drawn into it while he was pursuing his studies at Cambridge. A nasty, complicated business. Papist versus Protestant, Rome versus England, with dashing young Kit Marlowe all caught up in it and playing both ends against the middle.”

“He told you all this?”

“Nay, I have other sources. Astonishingly enough, Marlowe can keep his mouth shut about some things. To a point, anyway. But he is irrepressible and, as his patron, I have been duly ‘cautioned.’ As an intimate of the queen, you see, I do receive some consideration. Especially since my ships have been so instrumental in helping line the pockets of the Privy Council. But enough about Marlowe. Believe me, the less you know about his intrigues, the better. You wanted to know why I am telling you all this, why I should take you into my confidence.”

“Aye, milord. It seems… rather unusual. I mean, you do not know me, really. True, ‘tis most unlikely that anyone in his right mind would take my word about anything over yours, but nevertheless, there is still the possibility that I might compromise you- or Master Marlowe-in some way. That is to say, I assure you that I would not, at least not intentionally, but how do you know that I would not?”

Worley chuckled. “Because you say such things, that is how I know. And because I do not know as little about you as you think. I have made inquiries. I know all about your father and his recent difficulties, for one thing, and I know about your uncle, for another. I was most especially interested in him, considering your claim that you could craft a sword superior to the one I loaned you. Was it merely arrogant boastfulness or simple honesty? As your uncle was the man who taught you, I was keen to learn what sort of work he did. Now, I believe you.” Worley reached down to his side and drew a dagger from a sheath at his belt. He placed it on the table and slid it across to Smythe. “You will recognize the workmanship, of course, even without your uncle’s maker’s mark on the ricasso. The craftsmanship is among the best that I have ever seen.”

Smythe picked up the dagger, already knowing it to be his uncle’s work. He swallowed nervously. “I take your point, Sir William.”

“I think you miss it,” Worley replied, seeing the expression on his face. “I am not threatening your family, Smythe. I could, of course, but that was not my purpose. I wanted to find out more about you. That day on the road, I saw something in you that I do not see in men very often. I saw a remarkable forthrightness, and a complete lack of fear. Those are very admirable qualities. Admirable and rare. And they should be encouraged.”

“I am not fearless, Sir William,” Smythe said. “In all honesty, I was a bit afraid to come here.”

Worley shook his head. “I do not believe you were, else you would not have come. I have no doubt you felt some apprehension, some uncertainty, to be sure… but fear? You are not the sort. You do not seem to have it in you. I sat astride my stallion with a pistol aimed straight at your chest and you did not blink an eye. You exercised the proper caution that the situation called for, yet you kept your head and even bantered with me. I admired that in you. It reminded me… of me. And you know, as enjoy-ably diverting as it may be to be Black Billy, the infamous highwayman that every schoolboy sings about, a large part of that joy is lost in not having anyone to tell about it. Well… now I have you.” He smiled. “So, what say we take a quick look at that forge I promised you before sitting down to supper? You still owe me a sword, you know.”

***

The play, thought Shakespeare, was appallingly inept. Its failure to draw a decent audience at the Theatre was not due to any particular failing of the actors, although from what he’d seen, the only really good performer in the company was Ned Alleyn, and he had just quit. Things were not looking very promising for the Queen’s Men, but despite any flaws in the company’s performance, the main fault lay in the play itself.

Part of the problem was that it was not a new play, but one that had been adapted from other sources and rewritten many times, so that he no longer had any idea who the original author was or precisely what had been intended. This particular version was credited to Greene, and it had his stamp all over it. The Honorable Gentleman was full of literary references and high-flown academic speech which suffered from the same pretensions that it aimed to satirize, and in those cases where these allusions did not go straight over the heads of most people in the audience, they were explained awkwardly by other characters, who were simply leaden in their coarseness and derision.